Filmmakers often talk about “the grind” of filmmaking as if it were a love language, but not Rose Stiffarm. While she firmly believes in mastering the craft, she also believes in doing the work without sacrificing her well-being, love of the work,
There are storytellers whose voice quiets a campfire, whose stories pull people in with that familiar mix of laughter, fear, and truth that only grows out of community. Cary Thomas Cody is one of those storytellers. Long before he ever stepped behind
Delbert Anderson is a Diné Jazz trumpeteer, composer, and educator, whose music flows from a deeper understanding of kinship and responsibility. The foundation of the sound created by the Delbert Anderson Quartet integrates Navajo spinning songs: social songs that carry teachings about
Horror has never been just about the scares and creatures that go bump in the night. It’s a mirror that reveals that darkest parts of who we are, but Indigenous Horror is much more than a mirror. It’s truth bearing its teeth
Dr. Summer Wesley moves through the world with a sharp sense of humor and clear, stern purpose. The knowledge and experiences that she shares can only flow from a Chahta woman who knows exactly who she is. She’s a community advocate, artist,
For Daryl Begaye (Diné/Taos Pueblo), art was always present, but not what he pursued until later in his life. He first studied computer science before realizing that his creative spirit was being called elsewhere. Shifting into fine arts, with encouragement from his
Rachel Beaulieu is an Anishinaabekwe from Sandy Bay Ojibway First Nation in southern Manitoba, Canada, and the visionary behind Can Dream Productions. A 2010 graduate of Media Production from Assiniboine Community College, Rachel earned early recognition for her talent, winning two awards
Mike J. Marin (Navajo, Laguna Pueblo, Washoe) is an award-winning Native American indie filmmaker from East Oakland, CA. He’s the creator of Urban Native Horror, a genre that blends traditional Native stories with modern urban settings. His love for horror started as
Denver has always been a city with deep creative roots, but in recent years, a new movement has been taking shape, one led by Indigenous and marginalized artists reclaiming their narratives, their joy, and their space. At the center of that movement
In the glow of stage lights and the quiet hum of late-night writing sessions, where grief finds its counterpoint in laughter and stories become a way back home, there’s an artist weaving comedy into ceremony and turning survival into art. Shea Vassar,
Some artists paint what they see, but Garrett Etsitty paints what he knows, what he’s lived, and what his people have carried since time immemorial. Born and raised in Chinle, Arizona, this Diné artist pulls from the petroglyphs etched in canyon walls,
Gaming has always been more than just a pastime for Indigenous communities. It’s a way to teach, connect, and strengthen relationships. Today, Indigenous gamers and creators are carrying those traditions into the digital age, crafting stories and spaces that reflect who we